At Blueberry we are lucky enough to meet wonderful and talented people on a weekly basis. This week the spotlight is on editor, Alex Robins.
Alex has over 17 years experience in the media industry. From his adventures in advertising to Oscar and BAFTA nominated feature film production, Alex has been lucky enough to have worked on a wide range of formats and footage. His experience has mostly found him specialising in the world of advertising, and having been the offline editor of ‘Storie di Stile’ Peroni’s 2014 campaign Alex knows how to deliver and work to high standards.
Alex definitely isn’t a one trick pony; his career as an editor has seen him work on sizzle reels, highlights films, image films, sponsorship bumpers, direct response adverts, pitches and mood films for brands including Coca-Cola, CRUK, HSBC, Omega and Samsung.
Over the years, Alex, like most editors has ridden the software trends of Avid, FCP and Adobe. He has a wide range of knowledge in editing, motion graphics and design software. Needless to say Alex is adaptable and always meets the challenges of short deadlines, producing to a high level at super charged speeds.
View Alex’s portfolio here
At Blueberry we are very privileged to meet brilliant and talented people on a weekly basis. This week the spotlight is on motion graphic designer / editor / director, Liron Kroll.
Liron is a London based motion designer and visual artist. She studied Visual Communications at H.I.T, Israel and Communication Art and Design at the Royal College of Art. On graduating from the RCA she was awarded a residency as a digital artist at EPFL+ECAL Lab in Switzerland. Liron has worked on diverse projects that include motion graphics, animation as well as network branding and fashion photography productions.
She has worked with The BBC, Channel 4, Ron Arad Associates, Universal Music and many more. Liron has also exhibited and featured in publications such as Motionographer, IDn Magazine, Computer Arts Magazine, Adobe Design Achievement Awards, International Woman’s Film Festival and many more.
Liron is very intelligent, articulate and calm. She’s extremely passionate about her craft and is able to balance her creative ideas with logical thinking and problem solving to deliver a beautiful final product.
View Liron’s full portfolio
At Blueberry we are privileged to meet talented people on a weekly basis, this week in the spotlight is editor, Alex Richardson.
With almost 15 years freelance experience, Alex’s work has taken him from the deltas of Bangladesh to the delights of Basingstoke.
After cutting his teeth as Assistant Editor and camera operator on Julien Temple’s award-winning music documentary ‘Joe Strummer: The Future Is Unwritten’, he moved into commercials and has credits across a range of brands including KFC, Bertollo, Morrisons, Garnier and McDonalds. Alex regularly works as an on-set editor, working closely with clients and agencies to deliver high-quality offline and online edits while under pressurised time constraints.
With skills across a range of software, Alex’s speed is legendary – and backed up with a creative outlook that makes every piece of work stand out.
View Alex’s profile here
At Blueberry we are privileged to meet wonderfully talented people on a weekly basis, this week the spotlight is on editor, Heather Nair.
Heather comes to you with her over 10 years knowledge and experience in both offline and online editing suites. Not one to be pigeon-holed, she has explored and mastered editing within many different genres from drama to sports, as well as concerts to commercials. To further complement her skill set, she is also at intermediate level in Adobe After Effects, which means she has the ability to enhance her work.
Most recently she was part of the editing team on ‘Food Junkies’, one of the first shows featured on the ‘London Live’ channel and she also had the pleasure of working on various projects for the London Olympic and Paralympics Games committee for the London 2012 Summer Olympics and has also built up a great foundation of high profile clients including: Ogilvy, Fresh One Productions, Feref & Mother London.
Previous to her career in editing, Heather gained valuable experience in television production, starting as an Assistant Editor and then moving on to direct an award winning sitcom. Heather is known for being fast, confident and on the ball.
View Heather’s portfolio here