Leo is a Colourist who has been involved in all aspects of film and television post-production since 1997. He has worked in cutting rooms, film labs and post facilities in Brazil, the US and the UK, including Francis Ford Coppola’s American Zoetrope.
Since 2013, he has been working in London on branded content, documentaries and fiction films. He thinks that colour-grading is a creative extension of cinematography that allows the producer’s and director’s vision to prevail.
Skilled in using Davinci Resolve, Adobe Premiere and Avid Symphony – since 2004, Leo has colour-graded hundreds of films and television shows, including “Kings Point”, 2013 Oscar Nominee for Best Documentary Short, and most recently climate change feature documentary “An Inconvenient Sequel: Truth To Power” with Al Gore.
Recent clients he has completed work for include Hogarth & Ogilvy and Boundless Productions.