Charlie Williams

Charlie is an excellent Edit Assistant with a variety of experience in both offline and online work for long and short form projects. She is comfortable with all editing workflows and is happy to do ingesting, transcoding, fixes, deliverables, reversioning and adaptations.
Charlie has an excellent sense of timing and rhythm, a meticulous eye for detail and a strong creative air. Technically adept and always willing to learn new systems and software, she responds quickly and professionally to new challenges and enjoys working within a team as well as autonomously. She has strived to work through the ranks working in notable Post Production houses such as ENVY, ClearCut, BBC and Coda. Cutting a variety of programs including Commercials, Promos, Digital Media and Broadcast Television, she demonstrated the same enthusiasm for every project and collaborated creatively with the director and producer every time.
Charlie is proficient in Avid, FCP7, FCPX and Premiere and is keen to meet new clients and build up her freelancing portfolio. She has been described as enthusiastic, knowledgeable and a real team player – Charlie would be an asset to any edit.

Nathan Baker

Nathan is an Assistant and Editor who combines technical prowess with creative cutting.
Proficient in Adobe, Final Cut and DaVinci Resolve and several years experience his abilities in post range from; DIT, ingesting, offline cutting, online conforming, online editing and deliveries.

Jamie Stagg

Jamie has worked in some of Soho’s busiest Post Houses having worked his way up from Runner to Senior Post Production Specialist.

He is fully conversant with all platforms used in current editing, but particularly happy working with Avid – Media Composer or Symphony. Jamie can see a project through from ingest to final export and advise on suitable workflows.

He is equally confident on short form projects like commercials and online content, or long form Broadcast Projects.

Nord Brahami

Originally from Lyon (France), Nord is fluent in both French and English. He has worked in a myriad of production companies including Atlantic, Discovery and National Geographic where he assisted director Nigel Walk on Buried Secrets of the Bible with Albert Lin.

One of his recent projects was working with producer Guy Pugh for Discovery and Channel 4 – Ice Age: Return Of The Mammoth (Renegade Pictures). His knowledge of music and musical ability is a great advantage for cutting rhythmical pieces and syncing materials accordingly.

Other Edit Assistant work Nord has been involved with include The Martin Lewis Show (ITV), Ross Kemp (In the Line of Fire With… ITV, Renegade Pictures/Freshwater Films), Jill Dando – The 20 Year Mystery (Turquoise TV, ITV), Hedgehogs (Athena Film, Channel 5), The Queen& Lost Family (Renegade Pictures, Channel 4), Dog Detectives (Rare Tv, Quest) Fake Britain (Rare Tv, BBC One) and The Mummy Diaries (Potato Production, ITVBe).

Jon Odutolu

Jon is an all-round creative. He is equally as comfortable on set as in the edit. He has solid demonstrable experience across a number of fields that allow me to seamlessly fit in at every stage of production.

Clients have found Jon pleasant to collaborate with and that he can throw in his own ideas but happy to accommodate feedback and changes.

In addition to this, he has proved helpful when projects arise last minute and quickly jump in and assist efficiently.

When Jon is not in the studio, he is usually found travelling across the globe and as a keen visual creative, forever creating content.

Billy Waite

An energetic, dynamic individual Billy can adapt quickly and calmly when confronted with new situations & experiences. From working alone or within a team he is proficient at problem-solving both creatively & logically. Since becoming freelance in 2016, Billy has honed his skills working on a variety of different shows both on location and in a variety of edit houses.

In addition to assisting and editing Billy also works as a Freelance MCR Operator, his role there requires strong knowledge and experience of all file-based operations.

Jay Knowles

Jay has been working as freelance producer and director since 2016. Previous to this he was a video producer at BrightTALK Studios for 4 years, where he collaborated with key clients such as Barclays, Tesco, HSBC, Legal & General and Vanguard, creating videos and rich media content to help them achieve their marketing goals.

Extremely motivated and with a passion for video and for pushing the boundaries of what it can achieve, Jay enjoys working as part of a successful team, combining a highly professional and collaborative approach to achieve excellent results and quality output. Beyond commercial projects, he has also worked on a wide range of video and animation projects and has produced award-winning short films, such as Touched (2014) and Incognito (2015).

A problem solver who thrives on challenges, he employs a unique way of approaching projects to ensure that the end result is interesting and engaging. Recent clients include Dell, McAfee, Old Mutual, Wardour, AIC, Old Mutual Global Investors, J.P Morgan, Schroders, Fidelity and Aberdeen.

 

 

Andrew Fineberg

A  highly skilled, enthusiastic and ambitious Assistant Editor and VFX Editor, Andrew has the drive to succeed in every project he is involved in and has a keen interest in pursuing a career in either short form or long form productions.

He is passionate about a variety of television and film genres, with his career encompassing a broad spectrum of programming including feature film, factual, reality, documentary, light entertainment, comedy, drama, sport, lifestyle, music promo, advertising and animation.

Andrew has extensive experience in the film and television industry in three countries, UK, Canada and Australia, across several sectors including visual effects, post-production, animation, broadcasting, television production and digital media.

He is proficient with a variety of editing systems and software including Avid Media Composer, Final Cut Pro, Adobe Premiere and Nuke Studio, as well as having a comprehensive knowledge of post-production and visual effects pipelines, quality control procedures and tapeless workflows.

Andrew is adept at working under pressure, within strict deadlines and in fast-paced environments and is equally comfortable working on an independent basis or as part of a team. He is proactive and highly motivated to develop new skills, with an increasing interest in photography and filmmaking.

Over the last few years he has worked for companies such as One of Us, BlueBolt, Prime Focus World and Peerless Camera Company and his credits include Beauty And The Beast, Fantastic Beasts And Where To Find Them, Peaky Blinders, Jamestown and Stan Lee’s Luckyman.

Beth Allan

Beth offers the unique combination of in depth technical knowledge and individual creative flair. This is best showcased in her work as a colourist, where she has a proven record of being able translate a production’s vision into a polished final product with accuracy. She also uses her up to date technical knowledge, gained from working in a mix of high end and boutique post production facilities since 2010, to support the offline and online process. Thinking laterally she is able to assist any type of production with robust workflow implementation and first class technical support.

Previous clients include the BBC, Channel 4 and Sundance winning feature doc, Three Identical Strangers.

Aaron Wheeler

Aaron is a Junior editor and motion graphic designer, working as a freelancer since 2017. Having a strong understanding of both audio production and motion graphics has given him a wide variety of tools to help tell stories. Having originally started creating short films as a child, Aaron has been developing as both an editor and story teller for many years. In 2015, Aaron started a video production apprenticeship with the Telegraph Media Group, working as a junior creative, editor and motion designer across the commercial and editorial video departments.

With a great knowledge of Adobe Premiere, Audition and After Effects, Aaron excels in editing fast paced, high energy projects but believes the true skill in editing is the ability to reveal a stories information at the perfect moment, maximising audience’s engagement.