With an extensive portfolio and experience in broadcast, film and international projects, Nick’s work has been part of the Cannes Official Selection in 2010 and he has been Head of Post-Production on many shorts that have won several awards. He specialises in all facets of post-production – from Editing and Motion Graphics to Visual Effects, Compositing, Keying and Grading.
Nick is also an Apple-certified trainer and editor in Final Cut Pro 7 and X, with more than 8 years experience in the Adobe range – predominantly After Effects and Premiere – and all aspects of a post production workflow.
Creative and idea-driven, he is articulate and passionate about his work, striving to improve unfamiliar areas and further his existing skills, striving to deliver to the highest possible standards on every occasion.
A dedicated team member and solo artist, Nick has excellent interpersonal skills and is easily adaptable to new concepts and to develop innovative and creative solutions to problems. Recent clients include Arctos Media, Conscious 2, Beast Productions, Spring Studios, Coda and Elbow Productions.
Laszlo’s first ever edit was done using two VHS recorders and a cassette player when he was 12 years old, and he hasn’t stopped editing since.
Whilst freelancing for creative agencies, broadcasters and post production houses, he has been building up a significant body of work that includes TV commercials, corporate films, branded content, ad sales reels, promos, webcasts and social media spots.
Laszlo never stops learning new skills or developing existing ones and he can confidently use Premiere CC, AVID, DaVinci Resolve, After Effects, Photoshop and Illustrator.
Calm and patient under pressure, he’s a pleasure to work with and is happy to follow directions but can create a narrative if needed. Laszlo has also gained credits as an offline/online editor, compositor and colorist for various short films.
His work includes brands such as Levi’s, Volvo, Nestle, Heathrow and Visa. Amongst his recent clients there are Saatchi & Saatchi, VCCP, Hogarth, Disney, Discovery and BT Sports.
Emre Samioglu has been a Nuke compositor for almost 6 years and worked with such brands: Rolls-Royce, Nissan, Braun, Citroen, Durex, KFC, Nike, Exxon, The British Red Cross, Samsung, Turkish Airlines, Ad Council, Benylin and Lamisil.
Emre uses different tools for a variety of tasks:
Mocha (Tracking, roto)
PFTrack (Camera track, object track, image modelling, UV extraction)
Hiero, Nuke Studio (Conforming EDL, creating & exporting VFX shots)
Resolve (Conforming EDL, grading for fun)
Being a Compositor for the past 17 years, Reynold has a good mix of Visual Effects, Motion Graphics and recently Virtual Reality Composite and Stitching, as well as shoot supervision.
Pushing and blending seamlessly pixel boundaries and coming up with creative solutions at the same time, most of all Reynold is a team player in the whole process. What’s always driven him is that smart and hard work always pays off, so he has never held back.
Nuke Compositor with over 8 years of experience gained in feature films such as ‘Guardians of the Galaxy’, ’47 Ronin’, ‘Snow White and the Huntsman’, ‘Sherlock Holmes II’; TV series like ‘Troy – Fall of a City’, ‘Britannia’, ‘Little Women’ and ‘The Crown’; commercials like Panasonic, Sony, Sky and KFC, Vodafone, Under Armour, Uniqlo, Aquafresh.
Currently based in London and able to work with her own equipment from home or on site.
Valentina’s specialities include Nuke, Mocha and FCP.
Ollie is a freelance motion designer who over the past 12 years has been fortunate enough to work on some award winning projects for some very prestigious clients including Jaguar, Sky, Land Rover, Rolls Royce, Bentley and JCB.
He has extensive experience on productions of all scales and prides himself on delivering the very best quality and service from concept and pre-production, through shoot supervision to final delivery. Ollie is available to work both in the London area, but also to fully set up to work remotely for clients based anywhere.
Guillaume started his career as a computer graphics artist in the game industry in France, where he worked as an environments, vehicle and props artist. Since moving to the UK in 2006, he has worked across VFX for feature films, Animation, TV commercials and medical animations. He is also a talented 3D generalist, and has worked on an array of television commercials.
Guillaume was involved in the creation of photorealistic assets and environments on feature films such as Guardians of the Galaxy, Sweeney Todd, Warhorse and The Jungle Book, to name just a few. He brings a wealth of experience and knowledge 3D production pipelines to every project he undertakes.